천로역정, 아크릴릭 64X45cm. 2018
천로역정_1, 아크릴릭 64X136cm.2018
천로역정, 아크릴릭 64X136cm.2018
서자현 The Pilgrim's Progress
What Shall I Do  36'x24'  mixed media 2018
The Castle of Giant Despair 36x24inches mixed media 2018
The Beautiful Palace 36x24inches mixed media 2018
Combat With Apollyon 36'x24' mixed media 2018
The Interpreter's Parlor 36x24inches mixed media 2018
The Pilgrims Pass the river 36x24inches mixed media 2018
20180328_161642[3264]
The wicket-gate 36'x24'mixed media 2018
The Slough of Despond 36x24inches mixed media 2018
The Valley of the Shadow of Death 36x24inches mixed media 2018
The Vanity Fair 36x24inches mixed media 2018

Gallery Hours

Monday        Appointment req.

Tuesday       12:00 - 6:00pm

Wednesday  12:00 - 6:00pm

Thursday      12:00 - 8:00pm

Friday           12:00 - 6:00pm

Saturday       12:00 - 6:00pm

For another time,

please make an appointment.

Partnership with

       "THE PILGRIM'S PROGRESS"

Kyunglim Lee & Jahyun Seo  Exhibition

K&P Gallery will be having a new show "THE PILGRIM'S PROGRESS"
Kyunglim Lee & Jahyun Seo  Exhibition from March 29 to April 11


The Pilgrim’s Progress

This Show is planned for these reasons. For Easter Kyunglim Lee & Jahyun Seo they show their
artworks with the title ‘The Pilgrim’s Progress.' They met ‘Art Mission(Group of Christian’s Artists_
http://www.artmission.co.kr) in Seoul, and several times Kyunglim Lee & Jahyun Seo exhibited
together. And then they meet again in New York, so they said about ‘Art Mission’ in New York. They
had researched about ‘The Pilgrim’s Progress.' from Media, Book, Exhibition…, and they started each
method and perspectives.

 

K&P 갤러리에서 열리는 이번 전시는 대한민국 기독교 미술인 단체인 ‘아트미션’(http://www.artmission.co.kr)에서 활동하는 작가, 이경림, 서자현의 아트미션 뉴욕 전시다. 이 두 작가는 서울에서의 아트미션 그룹전을 통해 신앙과 미술이 접목한 작업들을 함께 선보여 왔다. 이후 뉴욕에서의 조우를 통해 새로운 비전을 공유하며 부활절을 통해 아트미션_뉴욕 전을 함께 기획하며 ‘천로역정’의 주제를 가지고 각자의 시선으로 재해석한 작품들을 선보인다.

Kyunglim Lee
 

Since I have read The Pilgrim’s Progress for the first time as a student, my situation in life seems to overlap with the scenes of that story at times.There were times I felt like I was in The Slough of Despond, while at times I felt like I was combatting with Apollyon, the fire-breathing dragon. There were times of comfort feeling like I was on The Delectable Mountains, along with times of being beaten in the Castle of Giant Despair due to my doubt. But my story has been an encouraging and fascinating one which has been guided to green pastures and protected and led by rod and staff as David was in Psalm 23, and traveling unto The Gate of Celestial City walking with Hope in the story.  
Today, I paint my story on my modest canvas, with New York as the background and my son as the model. It is a beautiful story which can be applied to any age, any background, and any man’s life story.

 

 

이경림 작가는 학창시절, 천로역정을 읽은 후로 살면서 가끔씩 작가가 처한 상황이

이야기 속의 장면과 겹쳐지는 경험을 했었다.절망의 수렁(The Slough of Despond)에 빠져 있는 듯한 순간들이 있었고, 불을 뿜는 용 아폴리온(Combat with Apollyon)과 싸우고 있다고 느껴지는 순간도 있었다.기쁨의 산(The Delectable Mountains)에 올라온 듯 위로를 받는 시간들이 있었고 의심의 성(The Castle of Giant Despair)에 갇혀 절망이라는 거인에게 두들겨 맞는 듯한 시간들이 있었다 그러나, 천로역정의 주인공처럼 작가 역시, 시편23편에 다윗의 시처럼 푸른 초장으로 인도하시고 지팡이와 막대기로 보호와 지도를 해 주셔서, 소망이와 동행하며 영원한 성에 도착한다는   용기를 주는 매력적인 이야기라고 말한다. 성경과 더불어 우리나라에도 전해졌고, 세계적 인 베스트셀러로서 시각언어로 재현하는 특별한 전시로서 많은 분들의 참여와 관람을 기대한다.

Jahyun Seo

Jahyun Seo shows the same process of Seeing and Being seen 2017. What she started was painting black
color and then worked tapes layered to be taking out tapes with some drawing. At First, She thought
that this title is path and route of Christian's life, so she mixed some detail images of the story, but the
results were not good. She tried to solve perspectives. She changed the methods like a little images
and lots texts. So she finds to layered images in works like various kind of figures. That explains well
for her artworks from start to end with layers figures of directions. These series 2018 show the colors Green which has a metaphor of nature, pure, peace, the hope of life. She wants to be having lots hope 2018 who her friends, family and in the world for peace. She started voyage to find the truth with a hero of the story.


서자현 작가는 2017년도에 발표한 <Seeing and Being seen> 미디어의 세계의 보는 것과 보이는 것의
이론과 기법을 그대로 가져온다. 그리고 주인공과 함께하는 여정을 통해 분별함으로 신앙고백을
한다. 캔버스에 블랙으로 칠한 후 평화와 희망의 칼라인 녹색을 가지고 천국 가는 여행의 길들을
그린다. 기법 적으로 테이프의 레이어를 중첩하고 떼어내는 작업은 유지하되 최소한의 기법으로
이야기에 집중한다. 서자현의 <Seeing and Being seen,2017> 의 방식은 디지털 작업으로 표현된
것들이 많은 상징이 부여된 이미지들로 대체되며 중첩된 글자들이 도형의 기호로 존재하게 한다.
서자현은 이번 전시에서 글자의 다층적 평면구조를 이미지와 함께 재구성하여 동질감과 이질감이
조화되게 새롭게 접근한다.
 

Jesus answered, “I am the way and the truth and the life. No one comes to the Father except through
me (John 14:6) 예수께서 이르시되 내가 곧 길이요 진리요 생명이니 나를 말미암지 않고는 아버지께 올자가 없느니라 (요 14:6)

 

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Past Exhibitions

2016 Exhibitions